John Henry Twachtman: A Painter's Painter (Hard Cover)
A catalogue by Lisa N. Peters, Ph.D. Building on her 1995 dissertation on Twachtman and the catalogue she wrote for an exhibition of Twachtman’s art, organized by the High Museum of Art, Atlanta, Georgia, in 1999, Dr. Peters addresses Twachtman’s role in the context of his time in three essays and explores the uniqueness of his art in detailed entries on each work in the show. Order Online »

John Henry Twachtman: An American Impressionist (Hard Cover)
Written by Lisa N. Peters, this is the first comprehensive monograph on Twachtman, covering his art and career. The 192-page catalogue accompanied in an important traveling exhibition that was organized by the High Museum of Art in Atlanta. The catalogue includes a preface by Judy Larson, curator of the exhibition, and eighty color plates (Hard cover, 1999). Order Online »

In the Sunlight: The Floral & Figurative Art of John H. Twachtman (Soft Cover)
A prominent American Impressionist and a member of the Ten American Painters, John Henry Twachtman (1853-1902) created his best known work on his property in Greenwich, Connecticut, from 1889 to 1902. This catalogue focuses on a select group of Twachtman's Greenwich works: his vibrant and sensuous images in oil and pastel of flowers in the wild and in the artist's own garden as well as rare figurative images, in which Twachtman depicted his family in casual outdoor settings. Within this 104-page publication are essays by Richard J. Boyle, William H. Gerdts, John Douglas Hale, and Lisa N. Peters. Each of the twenty works in the show are illustrated in color, and there are an additional eighteen color and twenty-four black and white illustrations.  (Hard cover) Order Online »

John Henry Twachtman - 1853-1902 (Soft Cover)
Cincinnati-born John Henry Twachtman was one of the most original artists of his era. During his early career, he studied in Munich and Paris, and was a prominent figure in a generation of cosmopolitan American artists who broke away from the literal realism of the Hudson River School, turning to European art for inspiration and developing subjective and expressive styles. His approach gradually evolved from a dark realist manner in the late 1870s to a tonal lyrical aesthetic in the mid-1880s that reflected the influence of the art of James McNeill Whistler. During the 1890s, Twachtman developed a distinctive and personalized Impressionist method, with which he captured nuances of light and atmosphere in the familiar landscape near his home in Greenwich, Connecticut. This 24-page black and white catalogue accompanied a landmark 1968 exhibition of Twachtman's art at Spanierman Gallery. It includes an essay by Richard J. Boyle and sixteen black and white plates. Order Online »